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Much of the criticism of Franco's queer works reflects on the actor's own sexuality, largely because Franco himself has been so open on the subject.
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But as the movie stands right now, Lockhart's story suffers - to the point that a major figure in his life was removed - in favor of scenes that just don't work. Would Kerekes and Cuadra still have been major characters if one of them wasn't played by superstar producer James Franco? Maybe. The rest all just feels shoehorned in to get Franco as much screen time as possible. That doesn't require half a movie to build only a few of Franco and Keegan's scenes actually address their motive. Cuadra and Kerekes' motive for killing Kocis is a pretty simple one: They wanted to work with Corrigan, and he stood in the way of that.
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Is it titillating? Sure, but it's not interesting - because this isn't their story. In one, while tanning outside, Cuadra suddenly decides to blow Kerekes this scene affects no part of the narrative. Every scene with Kerekes and Cuadra feels like a waste of time. The end result is a movie that seemingly has no interest in what actually happened between Lockhart and Kocis. In King Cobra, they're secondary protagonists, given nearly as much screen time as Lockhart and Steven. Franco plays Kerekes as a kind of manic, controlling figure shown repeatedly lifting weights and getting incredibly jealous of his younger lover's escorting clients. Allen's performance is all over the place, clearly suffering from limited direction or a lack of understanding of Cuadra's motives. They couldn't work together, however, while Kocis still controlled the Corrigan name. Despite initial questions about Lockhart's involvement in the murder, he worked with police to amass evidence on Kerekes and Cuadra cleared his name. In Cuadra, a young ex-military man, was a new model who would potentially work with Corrigan. In "Death of a Porn King," Cuadra and Kerekes are background players. Instead, Roy's role is imprinted on Franco's character Joseph Kerekes and his boyfriend Harlow Cuadra (Keegan Allen) - Kocis' killers. Roy isn't present at all, and Lockhart's self-professed predilection for older lovers is scrubbed from his characterization. King Cobra reduces all that to less than a year of time. What followed was a protracted legal battle that took years to resolve. Roy and Lockhart worked together to try to take ownership of the Brent Corrigan brand - a brand Kocis still controlled. Shortly after, he shacked up with another older lover, a man named Grant Roy. In the real world, according to "Death of a Porn King," Lockhart fled Kocis' home after a neighbor discovered he was living there. For example, in the film, Lockhart returns home after Steven won't give him a sufficient raise, and in retaliation, he reveals he was underage when he first started working with the director. But King Cobra removes giant chunks of the story. The Imitation Game won a screenplay Oscar on a factually flawed script. Slater's a bit too attractive to fully portray Kocis, described in "Death of a Porn King" as "a bland-looking man of 41 with big ears and a pug nose," but that's the film industry for you.Įven the most lauded biopics exaggerate details for dramatic effect. On balance, King Cobra gets the initial part of this story correct.
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Their time as professional and sexual partners ended disastrously: Lockhart's life was left a mess, and Kocis wound up dead. Kocis (played by Christian Slater, renamed Steven for the film) entrapped Lockhart in a toxic relationship. Conway book Cobra Killer, the Corrigan brand became a phenomenon. As detailed in Rolling Stone's 2007 story " Death of a Porn King" and the Andrew E. When he was just 17, Lockhart filmed a couple of scenes for Cobra Video, an independent porn studio known for its young, twink performers.
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King Cobra centers its narrative on Sean Paul Lockhart, better known in the gay porn industry as Brent Corrigan. Read more: The Big Problem With James Franco's Twitter Epic 'Zola' Movie That Nobody Is Talking About He didn't direct, but still Franco's influence can be felt throughout the film.
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Franco served as a producer on King Cobra and plays a figure in the death of former gay porn producer Bryan Kocis. Leather Bar., I Am Michael - and now King Cobra, which premiered Saturday at New York's Tribeca Film Festival. He quickly filled his IMDb page as both director and star of queer films. By all accounts, including Franco's own, the actor took a queer cinema class when he attended NYU and responded to stories outside the heterocentric norm. James Franco is obsessed with gay culture.